NOVEMBER 7+8, 2018
PARSONS SCHOOL OF DESIGN
PICTOPLASMA RETURNS TO NYC with a dense, 2 day program of inspiring artist talks, state of the art animation screenings and lively panel discussions to celebrate the next generation of character design and art!
Taking place November 7+8 at The Auditorium of renown Parsons School of Design, the conference invites all creatives and producers, trailblazing the face of tomorrow’s visual culture, to network and exchange strategies for tomorrow’s figurative representation.
LIMITED* EARLY BIRD REGISTRATION AVAILABLE NOW!
*Online registration for the 7th Pictoplasma NYC Conference is available now, with a special EARLY BIRD OFFER, LIMITED TO THE 100 FIRST ATTENDEES* completing the online registration process.
As soon as the limit of 100 Early Bird tickets has been reached, the regular ticket price snaps to $290.
And there’s no predicting how fast that will happen…
The Pictoplasma Conference presents 10+ hand picked key lectures by the world’s most influential artists and upcoming talents, cutting-edge graphic, toy and game designers and leading animation filmmakers. It is the meeting point for 500+ international attendees, offering the chance to learn from, be inspired by, and rub shoulders with some of today’s most innovative and avant-garde visual creators.
— FIRST CONFIRMED SPEAKERS —
Paul Budnitz is an American artist, designer, and entrepreneur. He is well known as the founder & CEO of Superplastic, the world’s premiere creator of art toys & accessories. He is also the founder of Budnitz Bicycles, the luxury city bicycle brand, and is co-founder of social network Ello. In 2002 Budnitz created the designer toy brand Kidrobot(which he sold in 2012).
Paul is the author of several books, has founded over a dozen companies, and lectures on creativity worldwide. A dozen of Budnitz’ designs are in the permanent collection of the Museum of Modern Art. He lives in Burlington, Vermont and wears size 13 sneakers.
Miranda Tacchia is a designer, illustrator, and cartoonist, working in Los Angeles in the animation industry. She has worked as a character designer and layout artist for several animation studios including Disney, Nickelodeon, Cartoon Network, and Warner Brothers. She is most known for her online comics and single Post-It note drawings accompanied by humorous, and often sexual one-liner captions. Her work has been featured in galleries in Los Angeles, San Francisco, Portland, and New York, as well as publications such as Juxtapoz and Printed Pages (UK).
Alex Norris is an award-winning webcomic creator, best known for the complicated meta-gags of ‘Dorris McComics’ and the parody of relatable webcomics ‘Webcomic Name’. After studying English Literature, Alex aimed to sneak themes of high literature into the low art genre of webcomics. Tragedy and comedy are fused together, and repetitive formats with a catchphrase are used to explore themes of false expectations and human relationships, and to celebrate the mediocrity of art on the internet. Alex grew up in Swansea, South Wales, and now resides in East London, struggling to write a comic without an “oh no” punchline.
Félicie Haymoz took her first steps as a character designer on the animated feature Max&Co, followed by Wes Anderson’s Fantastic Mr. Fox, for which she was the lead character designer and tasked with turning Hollywood A-Listers into lovable furry animals. She just finished designing the charming Japanese characters of Wes Anderson’s second animation film, Isle of Dogs. In recent years she has been involved in various commercial and feature development projects, creating a wide variety of characters and concept art for stopmotion, digital 3d and cutout animation productions.
Mike Perry is an artist, animator, creative director, brand consultant, poet, and designer. His work encompasses paintings, drawings, sculptures, art installations, books, murals, all of which are made to conjure that feeling of soul-soaring you have when you stare into distant galaxies on a dark night, when you go on long journeys into the imagination, when you laugh and can’t stop laughing. Key to Mike’s working method is the recognition that art and objects, go through many iterations—discoveries, coverings, uncoverings—until they’re finished; people do the same until they are fully revealed.
Sophie Koko Gate
Sophie Koko Gate was born in Bath and came to London to study animation at the Royal College of Art. She had international success with her graduation film ‘Half Wet’, and since then has presented her work and given artist talks at festivals and universities around the world. From her studio in East London she directs and produces content for clients like Google, MTV, Air Bnb, Lena Dunham and Harvard University. She also writes songs and creates the animated visuals for the musical freak John Daker. Recently Sophie has made a short for Adult Swim and is finishing off her new film ‘Slug Life’ which will be broadcasted on the BBC in October.
Orion Tait is a Co-Creative Director and partner at Buck. With a background in filmmaking, fine arts and graphic design, his award-winning work has spanned a variety of disciplines. Specializing in design driven creative, Buck’s directors and artists use animation, visual effects and live action to collaborate with clients, from concept to delivery, producing work that is visceral, innovative and diverse.
From offices in New York and Los Angeles, Buck works with a broad range of clients in the advertising, broadcast, retail and entertainment industries.
psychedelic eye-candy and storytelling genius
The Conference’s film section brings animated newborns to the big screen, whisking the audience around the world in three freshly curated programmes brimming with psychedelic eye-candy and storytelling genius.
Haein Kim & Paul Rhodes
HOSTED BY /
ORGANISED IN COLLABORATION WITH /
PARSONS SCHOOL OF DESIGN
Alvin Johnson/J.M. Kaplan Hall
The New School
66 West 12th Street
New York, NY 10011
Designed and built in the 1930s by legendary architect Joseph Urban, the Auditorium is an impressive 468-seat venue with a proscenium-style stage. It was named one of the world’s most powerful rooms by ABC News in 2014, thanks to the incredible roster of public figures and leaders who have spoken there.
The Auditorium is located in Alvin Johnson/J.M. Kaplan Hall at 66 West 12th Street.
A HAND FULL OF ANSWERS TO/
The final schedule for the Conference will be announced in September, but here’s a first rough rundown of what to expect during the days:
10:00 – 11:00 doors open, attendee registration
11:00 – 19:30 key lectures (with short breaks)
20:00 – 22:00 Animation screenings
Registration includes: admission to all the conference artist lectures and animation screenings. Attendees are responsible for making their own hotel reservations and travel arrangements.
No physical tickets are sent out prior to the event. After payment, all attendees receive a personal registration code via email (sent together with the invoice to the email address used during the payment process, so keep an eye on your Spam-folder!). Attendees are asked to print out this email (especially the included registration code) and bring it to the conference venue together with their valid ID. The full passes (wearable, non-transferable wristbands) will be available directly at the conference venue.
We have set aside a limited amount of reduced tickets to offer for groups larger than 10 attendees, available if all 10+ tickets are purchased in one order.
Reduced group tickets are granted on a first come, first served basis:
Please contact us HERE for more information.
Tickets are generally not refundable once purchased. A participant, who is unable to attend the conference, can name a substitute in writing, and the ticket is transferred.
Cancellation of registration might be possible in writing before September 1, 2018, but an administrative fee of 50,- USD will have to be subtracted from the refund. There’s no chance for reimbursement after September 1, 2018, and absence from the conference does not entitle to reimbursement of the admission fee – simply because all fee’s by then have been spent on the production of the event.
Please carefully read the full version of our terms and conditions >>> HERE
Pictoplasma is an unique project wholeheartedly focussed on contemporary character design and art — abstract figurative entities that create a direct emotional bond with the viewer and have invaded all media over the past decade. The brainchild of Peter Thaler and Lars Denicke is renown for its style-defining book publications, immersive exhibitions, international conferences and festivals, that continuously push anthropomorphic appeal to new limits.
Since its inception in 2004, the annual Pictoplasma Berlin Festival has established itself as the main meeting point for an international audience of visual creators and producers. The event is an unconventional design conference, a forward looking animation film festival, a communal playground for collaborative creation, a surprising tour of gallery exhibitions – and is all about the fun of encountering like minded people. In 2008, Pictoplasma has established a second home in New York in collaboration with Parsons The New School for Design, while further events keep bringing the project from Mexico via Paris to Madrid and around the globe.